Artist Statement
Kate Citrin asserts societal values focused on subversion, resilience, and bravery by layering traditional portraiture in oil with abstracted forms in mediums such as spray paint or acrylics.
Historically, portraits have been used by the elite to create clout, displaying an individual’s achievements such as a family business or pet project. Kate paints portraits of individuals from marginalized communities or “well-behaved women;” people who form the bedrock of society’s support structure, culture, and innovation. Kate uses portraiture to highlight and elevate traditionally overlooked individuals’ acts of import and intrinsic value. Importance is self-identified by the model to ensure the individual’s values are represented.
Kate’s technique begins traditionally, using home-made stretcher bars, hand-selecting the linen, priming using gesso or rabbit skin glue, and painting figurative works using an “inception” process where the painting is created four times (sketch, color study, tonal study, grisaille) before the first layer of color is applied. During the live modeling she interviews her subjects asking questions like, “What event would you consider most formative to who you are?” to get a feel for their lived experience. When a live interview is not possible she explores what the person is choosing to present visually.
Once the representational portrait and interview is complete she takes a sharp departure from tradition and layers in charcoal, gold, textured gesso, printing, and/or pattern to reflect the subjects’ self-identified (or discovered) acts of import. The portraits lionize the necessity of creativity, rebellion, and self-love in all communities.
Bio
Kate Citrin is a painter in Evanston, IL working mainly in oils. She holds her BFA from Grand Valley State University and has additional training from Vitruvian Fine Arts Academy and Jen Gennari with Drawing America. She has been painting since 2002 and has shown at numerous galleries in Chicago and New York including an exhibit curated by the Guerrilla Girls. She also creates commissioned portraits (both pet and people). Her artwork has been featured in commercial arts including advertisements, album design, and packaging, including
international runs.
CV
Summary:
Figurative oil & mixed media painter exploring societal pressures on identity through traditional and expressive techniques.
Exhibitions:
Year Show Type, name of exhibition, Gallery (City)
2007 Group Exhibition, Square Foot Show, The Gallaxie (Chicago) – sold
2007 Curated Exhibition, Who Wants to Be a Feminist, Rhonda Schaller Studio (New York)
2007 Curated Exhibition, The Commercial Woman, Woman Made Gallery (Chicago)
2008 Curated Exhibition, Are We There Yet, Arc Gallery (Chicago)
2010 Curated Exhibition, Ravenswood Gallery (Chicago)
2016 Curated Exhibition, Body Arts, Bikram Yoga Andersonville (Chicago)
2017 Solo Exhibition, Unnamed, Rogers Park Social (Chicago) – 12 artworks sold
2020 Group Exhibition, Grotesque Burlesque Group Show 1, Uptown Underground (Chicago)
2022 Group Exhibition, Grotesque Burlesque Group Show 3, Wayward Arts (Chicago)
2023 Curated Exhibition, It Figures, Wayward Arts (Chicago) – sold
2024 Curated Exhibition, HOWL, Wild Heart Gallery, (Virtual) – Finalist
2024 Curated Exhibition, By and About Women IV, Regional Center for Women the Arts (Westtown, PA)
Commissions:
Year Name of Buyer, Name of piece, size, medium, (City)
2004 Porno Jazz (band), Cheaper Than Therapy, album cover (Lansing)
2005 Donna White, The Bathers, 4’ x 3’, oil on canvas, (Detroit)
2006 Recycling for Charities, Press Kit, 2 Illustrations (Detroit)
2006 The Rice Bowl Project, Hope, 3 illustrations (virtual)
2006 The City of Detroit, TigerTown Logo, illustration (Detroit)
2007 Margaret Schlessiger, Wheat, 20” x 30”, oil on canvas (Houston)
2021 Paulina, Dante, 24”x36”, oil on canvas (Las Vegas)
2021 Virginia Lang, New Snow, 24”x30”, oil on linen (Kentucky)
2022 Nyiah Wiggand, Lilly, 8.5”x11”, oil on linen (Kentucky)
2022 Luba Dovjenko, Adventure Cat, 8.5”x11”, oil on linen (Chicago)
Professional Experience:
Visual artist trained in oils, watercolor, mixed media, charcoal, graphite, sculpture (wood, ceramics, welding), printmaking (etching, engraving, aquatint, mezzotint, monotype, woodblock). Experienced with figurative, representational, and abstract. Well-versed in art history.
Landscape watercolor painting each night for 20 days on Appellation Trail.
30+ pencil and chalk on toned paper drawings in the “Goddess” series exploring balconies and basements of characteristics viewed as feminine weakness and strength.
20+ years’ experience as Creative Director and Designer at numerous agencies and in-house.
Artistic travels bi-monthly; Myth Gallery (New Orleans), The Met and MOMA (New York), Singer Sargent murals (Boston), Portrait Gallery (Washington DC), Tate Modern (London), Sargent and Fashion (London)
Attends art functions regularly to collaborate & expand influences:
10+ year member of Grotesque Burlesque drawing group
Annual artists retreat weekend (MI) with 12 other artists
Artists retreat weekend with Jill Thompson and 5 other artists (WI)
Artists retreat (Adeline’s House of Cool, WI)
Professional Organizations:
2004-2006 Bare Bone Women’s Art Studio
2009-2011 Chicago Artist’s Coalition member
2009-2012 Art Institute of Chicago member
2010-current Grotesque Burlesque drawing group member
2022-current Host of “Art Loft” monthly figurative drawing group
2024-current Evanston Made artist community member
Education:
2002 BFA, Grand Valley State University
2015 Figure Drawing, Vitruvian Fine Arts
2022 Drawing America, Jennifer Gennari’s Portrait Painting
2024. Old Town Triangle School of Art, Painting with Joe Taylor